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Beyond this, there are several things that mapping software should do. Mapping software should be able to show different levels of geography. In the United States, this means the ability to see the boundaries of states, counties, and zip codes, at a minimum. In other parts of the world, this means the ability to see different countries, regions in countries, and different linguistic areas. Another important capability is being able to color and highlight different geographic regions based on data, whether this is derived from business data (the number of orders) or census data (population and wealth). Fancy mapping software allows you to include specific markers for specific types of data, to use graduated colors, and to fill regions with textures. In Excel, only the first of these is possible. The maps should include data available for geographic areas. This especially includes census population counts, so it is possible to measure penetration. Other census variables, such as wealth and education, types of home heating systems, and commuting times, are also useful. And this additional data should not be particularly expensive, because it is available for free from the census web site. It is also nice to see other features on maps, such as roads, rivers, and lakes. These make it easier to identify specific locations, and are readily available on web mapping tools. This list is intended to be a bare-bones discussion of what is needed for data visualization. Advanced mapping software has many other capabilities. For instance, mapping software often has the ability to integrate into GPS (global positioning services) systems to trace a route between different points, to incorporate satellite imagery, to overlay many different features, and other advanced capabilities.

an empty string (two single quotes with nothing in between), as shown in the preceding code snippet.

In raw diagnostics mode, whenever you shoot a picture, the digital camera creates two files sequentially. Both files have the same extension ( JPG or TIF, depending on which format you picked). However, the first file is the raw data file and is neither a standard TIF file nor a standard JPG file. Figure 3-7 shows an example of two pictures I shot, one in TIFF mode, the other in JPEG mode. The 2,408KB files are the raw data files. I ll explain more about processing these raw data files in the next section. For now, you should rename the raw data file extension to something more meaningful, such as RAW.

Interoperability/roaming: As users move between systems, it is difficult for the operator to maintain a constant service level. In the same case as in the service transparency example above, a user that is roaming into another network might not get all the services he/she can normally access in his/her home network, as they might simply not be implemented. Another consequence is the implications this might have on the billing models to be used.

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ion analysis. It is likely however that this class of mass analyser will grow in popularity in coming years due its unsurpassed accuracy.

var reCase:RegExp = new RegExp( (\\w)+ , g ); var sVal = new String( abc def ghi ); var aMatches:Array = sVal.match(reCase); trace(aMatches.toString()); // [ abc , def , ghi ] reCase.compile( (\\w){3}\\B , g ); aMatches = sVal.match(reCase); trace(aMatches.toString()); // null

Figure 21-5 Side-entering mixer with pillow-block bearings. (Courtesy of Chemineer.)

n Document or Proof: In the Print section, select one of these options based on whether you want to use the document s profile or a different profile for proofing The Proof option is available only if you choose an output device such as an imagesetter, for which you might make a proof locally using an inkjet or other printer and then use the imagesetter s color profile (as explained in 29) when producing your final output (Using the Proof option ensures that InDesign simulates on your proofing printer how the document s colors will appear when printed on the final output device, such as an imagesetter Using the Document option tells InDesign not to factor in how the final output device will alter the color during printing but instead to simulate what you see on screen instead.

stereoscopes or spectacles; this has given rise to the class of autostereoscopic displays, of which holography is the most recent and the most spectacularly realistic.

) n Color Handling: In the Options section, use this pop-up menu to choose between Let InDesign Determine Colors and PostScript Printer Determines Color The first option uses the color-management options set in InDesign, whereas the second lets the PostScript output device choose the color-management approach This latter option is not available unless you have chosen a color PostScript printer as the destination (If you choose Composite Leave Unchanged in the Output pane s Color pop-up menu, you have the No Color Management option in the Color Handling pop-up menu) n Printer Profile: Use this pop-up menu to select the color profile of the device to which the document will ultimately be printed, for handling color management at output This is by default the same as the color profile selected in the Color Settings dialog box, which I cover in 28.